On Exhibit: Exposed - Defining Moments in Photography

MCA EXPOSED: Definning Moments in Photography

Ben Gest, Chuck, Alice, & Dale, 2003

Exploitative, beautiful, and provocative: exposed film captures it all. The Museum of Contemporary Art (MCA), Chicago, presents MCA EXPOSED: Defining Moments in Photography, 1967-2007, on view February 24 to July 29, 2007.

Andres Gursky, Chicago Board of Trade II, 1999

This is the first of several collection exhibitions leading up to the MCA’s 40th anniversary in the fall. The exhibition, comprised mostly of conceptual photographic works from the strong holdings in the MCA collection, documents how photography came into its own as a fine art medium over the last forty years.

Zhang Huan, Foam (1), 1998

When photography started to become accepted as an art form equal to that of painting and sculpture in the mid-twentieth century, artists began to explore it in ways that diverged greatly from photography’s documentary tradition.

Shirin Neshat, Turbulent, 1998

The function of photographs was examined within a larger cultural and social context. Photographers questioned the truth of images in the mass media; juxtaposed text and image; manipulated the photographic process; and greatly enlarged the scale of printed photographs. The result was prolific conceptually-based images and the introduction of new digital technologies.

Rineke Dijkstra, Hel, Poland, Auguts 12, 1998

MCA EXPOSED occupies the entire fourth floor of the MCA and begins with an early work by Dan Graham, Bedroom/Dining Room Model Home (1967), to mark the year the MCA was founded.

Cindy Sherman, Untitled Film Still, #14, 1978

The exhibition is not arranged chronologically; rather it is divided into three thematic sections: appropriated images, staged photographs, and the figure and portrait, with an emphasis on the conceptual thread that runs throughout the works.

Ana Mendieta, Untitled, 1973-1977

Works from more than sixty artists are featured, ranging from Cindy Sherman’s small black-and-white film stills to Christian Boltanski’s major installation, Les Enfants de Dijon, and commissions such as Beat Streuli’s Chicago ‘99, which is installed on the museum’s fa�e.

Andreas Gursky, Avenue of the Americas, 2001

MCA EXPOSED occupies the entire fourth floor of the MCA and begins with an early work by Dan Graham, Bedroom/Dining Room Model Home (1967), to mark the year the MCA was founded.

Andres Serrano, Untitled (Knifed to Death I and II), 1994

Artists who have been the subject of major exhibitions at the MCA are featured including Andreas Gursky, Robert Heinecken, Hiroshi Sugimoto, Sharon Lockhart, Gillian Wearing, and Catherine Opie. A number of works by Chicago-based artists are included such as Dawoud Bey, Rashid Johnson, and Ben Gest, the latter two are past UBS 12 x 12: New Artists/New Work artists.